Presonus Studio One Professional v2.6.2 WIN OSX x86 x64 TERBARU

Studio One 2.6.2 has the following new features and enhancements: 

- Support for Studio One Add-ons 
- The last ten autosaves are now automatically archived into the versions list 
- Optimized ARA data-saving to speed up autosave 
- “Remove unused files” command in the Pool now removes associated Melodyne data 
- The Activation window can accept email address instead of user name 

Studio One 2.6.2 fixes the following issues: 

- Melodyne plays sound only inside of an audio part range 
- MIDI tempo import rounding error eliminated 
- Tempo info only writes as a Wave file on mixdown when this format is selected in Options 
- “Send to Sample One” slice order no longer inverted when sending from audio track 
- [Windows] Studio One window now always on top 
- [Mac OS X] Audio-device selection no longer lost after system reboot 
- [Mac OS X] Plug-in GUI stays on top of detached mixer 
- [Mac OS X] First drag from the browser now working 
- [Fat Channel plug-in] Improved visibility of parameter values 

Studio One 2.6.1 fixes the following issues: 

- [OSX] Window handling may be broken on 10.9 Mavericks 
- Function keys for browser pages do not toggle browser 
- Transport controls removed on 1280 pixel wide displays 
- Midi preview player does not stop when using external devices 
- Optimized MCU Sysex handling 
- [OSX] Crash when quitting Studio One via Dock 
- [OSX] Missing button bar in UAD plugins 
- [OSX] Cursor only correctly drawn 
- [OSX] Crash when closing performance monitor 
- [Project Page] Strings converted to uppercase 
- [Project Page] Phase meter not working 
- [FatChannel] LM HM Q settings not restored

Studio One 2.6.0 has the following new features and enhancements: 

- Improved Mackie Control support (incl. Send slot navigation, Sends support. Control Link mapping, momentary Mute/Solo, Track Edit mode, FX Bypass Mode (EQ Button), Add       insert/send/instrument) 
- Extended Capture session import (includes StudioLiveAI mix scenes with Fat Channel settings, level, pan, sends, busses) 
- New Plug-in "Fat Channel" (the native version of the StudioLive AI mixer channel strip) 
- [Win] ASIO Direct Monitoring support enabled via cue mix setting in I/O setup 
- Nimbit dashboard on Startpage (provides access to up-to-date Nimbit user account stats: number of fans, number of active promotions, sales) 
- Nimbit Upload defaults to WAV format 
- SoundCloud dashboard on Startpage (displays key stats from a user's SoundCloud account, as well as a scrolling display of the SoundCloud activity stream.) 

- Arm instrument tracks via mixer remote control (FaderPort for example) 
- Enhanced Tempo Resolution (Song Tempo and Tempo Changes now accurate to 1/10000 of a beat) 
- Note Length for Paint Tool in instrument editor for painting notes with user-definable length independent from the grid 
- Expanded "recent files" list on start page 

- Metronome enhancements 
* Selectable click in Precount Option to record with a precount click. 
* Visual count-in on Record button 
* Adjustable offbeat click 
* Repeat Accent to repeat accent on time signatures with a 3rd counter 
* Additional click samples 
* Add custom click samples via Drag&Drop and menu option 
* Render click to audio track 
* Click Presets 
- Auto-Save restore less naggy - When the user denies to load a found autosave file, it's now always copied to history, without asking "Do you want to keep the backup as a version?" 
- [Win] Keep Space bar focus on S1 when Plugin window is open 
- Enabled inserting automation points to expanded Envelope Lane 
- Instrument part is selected after merge 

- 384 KHz audio export support (WAV/AIFF/FLAC only) 
- MIDI Options - Pitch Bend filter 
- Improved handling of floating windows on OSX 
- New command Shift+F11 to open the Instrument editor of the selected track 
- Open channel editor opens FX editor always also on Instrument tracks 
- Channel Editor remembers last device (F11) 
- Drag&Drop for FX Chains to Send Slots 
- Add Event FX to multiple selected events (with ALT) 
- New Link function for Strip Silence 
- "Layer follows Events" Option now defaults to ON 

- Grouping Improvements 
* Removing a track from a group deselects the track 
* Dissolving a group deselects all but the first tracks of the group 
- Use aftertouch for note repeat velocity 
- CC11 - Expression doesn't reset on stop 
- Adjustable rate for MIDI controller automation: External MIDI devices now have an adjustable MIDI cc transmit rate (range: 10 - 100 ms). A slider has been added to the device edit panel.   Default is 10ms (fast). 
- Performance Monitor now has Show On-/Off-State / Access Devices for plug-ins and instruments 

- [Project] CD Time display shows the current CD length of your project 
- [Project] Transport bar shows relative song position 
- [Project] Limit ISRC input to valid characters 

Studio One 2.6.0 fixes the following issues: 

- Improved MIDI Timing when looping back MIDI data from plugins or instruments 

- Melodyne data not removed when using "Remove Melodyne" 

- Melodyne playback cursor not visible when using FX with latency in input channels 

- Edit with Melodyne function bounces the event with all Event FX 

- Edit with Melodyne function removes already loaded Event FX on event 

- Sample offset in Advanced Audio options not saved 

- MIDI Preview playback does not show correct position 

- Mixer channels don't follow when moving audio tracks in folders 

- Soundcloud download in File Browser fixed 

- [Win] Double click not working on Win 8 touch screen 

- [OSX] GUI issues with a lot of 3rd party plugins 

- [OSX] Tab inserted when jumping to next input field 

- [OSX] Wacom tablets do not work with Drag&Drop 

- Send to sample one not working with rex files at different sample rate 

- Japanese localization fixes 

- Long macro list not scrollable 

- Autosave invoked while text-box is open 

- Key-command doubled when assigning NumPad keys 

- [Phaser] Spread parameter not working 

- [Chorus] Improved square LFO behavior 

- VST patch is changed when using VST program list scrollbar 

- [Impact] Decay fader broken 

- Crash when deleting I/O busses 

- Delay compensation not working for instrument tracks when exporting stems 

- Layers messed up after deleting layer via shortcut 

- Record to layers option not saved after restart 

- Duplicate and insert broken when folders involved 

- Move to cursor inserts new marker when start or end marker are selected 

- Dragging an instrument from the instrument rack to the track set track name to default 

- Mixer channel navigation unhides hidden tracks 

- Dirty flag set when loading song with editor open 

- Empty event when recording a short time with max Pre-Record time 

- Compressor bypass not working 

- Some VST plugins not working in stereo mode 

- Automapped plugin automation recorded with steps 

- Audio tracks with no input can be monitored 

- Invert Selection not working within open folders 

Installation:
-------------

Unpack and Install 

Launch Studio One, select "full Version", 

choose "Offline Activation" and copy the activation code

Open keygen and paste activation code into (Machine Id) field

and generate a 'Studio One 2 Professional.license' key

The License file will be created alongside keygen


Drag this file onto Studio One activation window.

LINK DOWNLOAD :

- PART 1

- PART 2

- PART 3

Read More

Toontrack EZMix 2 v2.0.8 Inc. All Expansions Pack v1.0.0 11.1.2014

Learning the craft of mixing audio can be a daunting task, especially when you factor in not just the number of different types of processing available, but also the sheer amount of choice when it comes to picking a certain manufacturer’s product. We’ve seen a number of plug-ins over the last couple of years that aim to simplify this task by offering a stripped-back interface and limited but carefully selected controls, forcing you into using the most important tool of all – your ears.

Pick’n’Mix

EZmix 2, from drum specialists Toontrack, is an all-in-one mixing tool that includes a range of specialist effects chains created by industry pros. There are presets for vocals, drums, keyboards, guitars and bass, plus mastering and buss processing settings, each of which uses a combination of different effects.

One of the main improvements over EZmix 1 is the much more advanced and flexible search engine, which now enables you to filter different criteria or search for a specific instrument, effect or genre. Once your preset is selected, all of the complex controls are simplified down to two knobs, with text to either side informing you about what each one does. For example, one knob may increase compression, while the other brings up the level of some parallel distortion. In another scenario, one may add some thick chorus and doubling to a vocal, while the second blends in some reverb and adds brightness to the EQ.

The 205 presets from the original have also been added to, with 148 new signal chains that make use of the added cabinet and amp modelling, and the new multiband compressor, mastering limiter, stereo enhancer and aural exciter modules. To help illustrate which processors are present in each setup, the GUI has been extended to show darkened images of amps, effects and pedals that illuminate when in use. 
The Perfect Blend

There are many aspects of EZmix 2 that have been very well thought-out. Firstly, Toontrack has streamlined its registration process – no longer do you have to open your browser to enter your serial, and more importantly, if you’re upgrading from EZmix 1, the plug-in simply replaces the previous version, meaning backwards-compatibility with older DAW sessions. There is also a fully functional demo version (which you’ll find on the DVD) with three projects in different styles downloadable from the Toontrack website. These songs feature unmixed stems with an instance of EZmix 2 used on each instrument to create a full, pro-sounding mix.

All of the effects modules have been provided by plug-in-makers Overloud and the sound quality is superb, especially in the crunchy new guitar amps and cabs. We also found the mastering settings to be a surprisingly quick and effective solution to bulking up the overall mix with minimal artefacts. We welcome the more flexible search options, which become essential when you start to add in the additional presets packs, and the new section showing each module on the right hand-side of the GUI is a nice touch.

Verdict

+ Great sound, high-quality effects
+ Broad range of uses

- Pricey for newcomers
- Lack of visual feedback
DOWNLOAD Toontrack EZMix 2 v2.0.8 Inc. All Expansions Pack v1.0.0 11.1.2014

Read More

Steinberg Wavelab 6

Since its first release in 1996, Philippe Goutier's Wavelab application has jumped to the next major revision every couple of years. Each new version has managed to add numerous new features and improvements without sacrificing stability or performance. Given that Wavelab 5 already included more features than many musicians could shake a stick at, some may have wondered if there were any more new features that could possibly be added.

Spectrum Display

The most notable new feature is that each waveform window and associated overview can now be viewed in any of three display modes. The standard mode familiar from previous versions is Wave, but this is now joined by Loudness Envelope and Spectrum. You can choose different modes for the main window and overview, and either zoom each separately, or synchronise them so that (for instance) you can have a spectrum display in the overview and wave displays in the main windows beneath, and they will remain locked together when you zoom in and out.

The Spectrum option displays your waveforms in spectrogram format, with time across the horizontal axis, frequency content rising up the vertical axis, and intensity linked to a range of colours or black/white strength. The Spectrum display options include colour, black and white, logarithmic/linear frequency scale, resolution of the FFT spectral analysis (a compromise between frequency and time resolution), and audio range; as this is lowered, only the 'louder' frequency content appears on screen, which is a great way to home in on transients, for instance.

I've always enjoyed spectrogram views because they show things that may not be visible any other way, such as low-level hums and whistles (which appear as horizontal lines) and what enhancers are actually doing to your audio (changes of colour near the top of the window). However, you don't often get the option of performing edits in this mode, so Wavelab 6's spectrum editing is a very welcome addition in an application at this price.

Once you've selected Spectrum editor mode, an associated dialogue window appears and the cursor changes to allow you to define a rectangular region on the display. With stereo files, an identical region is automatically created in the other channel. You can either treat the selected regions with off-line Surgical processing, or real-time Master Section processing. Both modes use high-quality linear-phase filters capable of 'infinite' steepness in excess of 1000dB/octave, although you have full control over the steepness and the crossfade time where the filtered portion is merged with the original audio signal.

Surgical processing offers a variety of filtering alternatives. Damp is generally used to reduce levels, with a choice of band-pass, low-pass and high-pass filter options to reduce various unwanted parts of a region. Blur Peaks is easy to understand in the graphic sense, and is a powerful tool when you want to remove certain spectral parts of a sound. Dispersion smears sounds so they are less obvious in the mix, without removing them and leaving a hole in the spectrum, while the four Fade options are great for reducing the impact of transients or gradually changing certain spectral aspects of a region.

There are also copious Copy operations that let you transfer a Source to a Destination region, so you can, for instance, replace a bum note with a good one from another part of the song. By working with limited frequency ranges you can also remove or replace sounds like a few seconds of feedback in a rock concert or a sneeze during a live classical concert. The copious and informative PDF manual provides plenty of operational details, although you'll need skill and a lot of practice to perform such miracles invisibly.

Master Section Processing

With Master Section processing you can treat the whole file in real time through a chain of up to eight plug-ins. These plug-ins are either fed from a frequency spectrum defined by the region you select, or from the remainder of the frequency spectrum, while the non-effected part of the spectrum can either be mixed in at the output of the Master Section, or discarded altogether for more radical treatments. The latter mode is also useful when fine-tuning the effected part prior to recombining the two.

While Surgical processing is one of the most sophisticated tools there is for audio restoration, Master Section processing offers a huge range of new creative options, such as frequency-selective reverb, flanging and chorus, auto-panning of different parts of the spectrum and narrow-band distortion of drum loops. By the time I tried out spectrally limited delays and echoes my head was reeling with new possibilities. Occasionally the selected and non-selected parts got slightly out of sync after removing complex plug-ins from the chain in real time, but I'm happy to forgive such a small bug in the delay compensation, especially as clicking on the Play button pulled everything back together perfectly.

On The Level

After the excitement of Spectrum Editing, the new Loudness Envelope display option seems mundane by comparison. It shows loudness over time in various predefined frequency bands, and up to four curves can be chosen from Main (overall), low-pass, band-pass and high-pass. By studying them you can learn a lot about frequency distribution through a song, or the amount of compression used. However, recalculation of the display for a complete track can take a long time, even if you're just resizing or zooming the window, so if you need to do this, switch back to Wave display first.

The Audio Analysis menu options now also include a Loudness Distribution window that plots the most frequent, rather than the average, loudness level in any file. On this display, most modern finished songs appear as a single horizontal lobe, but unaccompanied vocals and classical tracks display significantly wider or more numerous lobes, indicating a far greater variation in dynamics. You can store up to three different results to compare different tracks.

Another related function is the off-line Level Envelope processor that lets you apply a user-defined envelope to any or all of your file. This is far more versatile than the previous Fade processes, especially with its 'smooth envelope' function that turns lines into curves. Yet another enveloping function that I found particularly useful is the Effect Morphing: you apply plug-in effects to whatever part of your file you wish, open this new window, create a user-defined envelope, and Wavelab then mixes in the most recent (unprocessed) Undo file to fade the effect in/out as you wish. I also found this a very useful way to avoid clicks when you want to process only part of a file.

The previous Normalise process has become Level Normaliser, and is joined by Loudness Normaliser, which works with RMS levels to set a loudness and is thus far more appropriate than the conventional peak level adjustment when you're trying to make individual tracks sit in an album context. There's also a new Pan Normaliser which can balance the peak or RMS levels across stereo channels. Finally, the level/pan meters now have K-Metering options, as defined by renowned mastering engineer Bob Katz, which you use in connection with calibrated monitor levels to ensure repeatable high-quality mastering results without compromising dynamics or squashing transients.

New Treatments

Previous Wavelab versions offered the same sample-rate conversion algorithms as Cubase and Nuendo, but Wavelab 6includes a new SRC Crystal Resampler that's gaining much praise for its conversion accuracy — it's significantly more transparent, and roughly on a par with Voxengo's highly acclaimed rBrain Pro.

Also, tucked away inside both the Time-stretch and Pitch Correction processing windows is an innocuous new tick box that should bring a big smile to all those who do a lot of work with loops. The 'Use DIRAC processor' option switches in possibly the best available time-stretch/pitch-shifting algorithm available on the market today, albeit at the expense of longer processing times. There are six variations on the DIRAC algorithm for dealing with different kinds of source material such as instruments, voices, classical music, percussion and so on, and I found they imposed significantly fewer artifacts on long stretches than the previous algorithms.

Also new in the process menu is a Pitch Quantise option that works on monophonic lines to correct intonation problems; you can define the reference frequency, pitch tolerance and slur time. It's a sort of poor man's Auto-Tune, and can also be persuaded to perform subtle Cher-like robotic glitches at extreme settings.

Two new plug-ins appear in the Master Section under a new ASIO heading, and only function with ASIO drivers. Audio Input replaces the previous 'Live Input' function, letting you capture any incoming signal from your audio interface hardware with Master Section effects, but is far more versatile since the plug-in window lets you select any number of input channels from one to eight, and your choice of sample rate. It must always be loaded in the topmost effect slot. External Gear can only be used once in the chain, and as its name suggests, it lets you plumb in hardware effects to spare ASIO input/output pairs. The latency of the send/return loop can be automatically compensated for, just as in the latest versions of Cubaseand Nuendo.

The Master Section itself also benefits from a few new options. You can now store its current set of plug-ins with an audio file, its display now indicates both 'plug-ins active' (green) and 'global bypass' (red) states, and the plug-ins organiser now recognises folders. However, for me the most useful new function is Smart Bypass, which compensates for any change in loudness when processing a file, so that you can A/B switch between the original and processed versions and hear the change in sound quality rather than the change in level. The stand-alone Harbal application does this as well, and it's an extremely useful tool when making mastering decisions.

sumber : http://www.soundonsound.com/sos/jun06/articles/wavelab6.htm

DOWNLOAD WAVELAB 6 FULL

Read More

K-Lite Mega Codec Pack 10.55

Fitur K-Lite Mega Codec Pack 10.5:

* Player :
- Media Player Classic homecinema [versi 1.7.5.195]
* DirectShow decoding video filter:
- LAV Video [versi 0,62-5]
- Ffdshow [version 1.3.4523]
- XviD [version 1.3.2]
- DScaler5 MPEG-2 decoder [versi 0.0.6.0] [IVTC mod]
* DirectShow filter audio decoding:
- LAV Audio [versi 0,62-5]
- Ffdshow [version 1.3.4523]
- AC3Filter [versi 2.6.0b]
* Audio DirectShow parser:
- DC-Bass Sumber Mod [versi 1.5.2]
- Monyet Audio (DCoder) [versi 1.0]
* Sumber DirectShow filter:
- LAV Splitter [versi 0,62-5]
- Haali Media Splitter [versi 1.13.138.14]
* DirectShow subtitle filter:
- DirectVobSub [xy-VSFilter versi 3.0.0.288]
* Filter lain:
- MadVR [versi 0.87.10]
- Haali Video Renderer [versi 1.13.138.14]
* Codec video VFW:
- Antarmuka VFW ffdshow
- XviD [version 1.3.2]
- X264 [revisi 2274]
- Lagarith [version 1.3.27]
- Huffyuv [versi 2.1.1 CCE patch 0.2.5]
* Audio ACM codec:
- MP3 (Lame) [versi 3.98.2]
- AC3ACM [versi 2.2]
* Tools:
- Codec Tweak Tool [version 5.8.3]
- MediaInfo Lite [version 0.7.68]
- GraphStudioNext [versi 0.6.1.403]
- VobSubStrip [versi 0.11]
- Haali muxer
- FourCC Changer
* Shell ekstensi:
- Icaros ThumbnailProvider [versi 2.2.6 b2]
- Icaros PropertyHandler [versi 2.2.6 b2]

DOWNLOAD K-Lite Mega Codec Pack

Read More

CCleaner Business Edition 4.15.4725 Terbaru

CCleaner adalah program yang mudah digunakan dan efisien, sangat penting untuk melindungi privasi dan keamanan digital Anda. Dengan menghapus (atau membersihkan) secara permanen riwayat perambah (browser history), cookies, dan file sementara lainnya yang dibuat selama proses kerja, dan juga ruang tidak terpakai di disk, CCleaner membatasi cara-cara pihak jahat mengawasi kebiasaan bekerja Anda atau menyerang sistem Anda.

Cara Install :

- Install CC Cleaner sampai selesai, 

- Setelah selesai install, jangan jalankan program CCleanernya terlebih dahulu

- Buka folder crak, kemudian jalankan cracknya

- Selesai, CCleaner berhasil diinstall dan aktivasi :D

DOWNLOAD CCleaner

Read More